By Angie Teo and Fabian Hamacher
TAIPEI (Reuters) – Taiwanese singer and activist Panai called on Saturday at one of the most prestigious entertainment events in the Chinese-speaking world for people not to forget China’s bloody 1989 crackdown on pro-democracy protesters at Tiananmen Square.
Chinese artists in recent years have largely stayed away from Taiwan’s Golden Melody Awards given renewed tension between democratically-governed Taiwan and China, which views the island as its own territory, and the reference to Tiananmen is unlikely to endear Beijing to the ceremony.
Taking the stage after winning for best Taiwanese language album at the ceremony in Taipei, Panai said this was the 35th anniversary of the awards.
“The Tiananmen Square incident is also exactly 35 years old, let’s not forget,” she said.
Chinese tanks rolled into the square before dawn on June 4, 1989 to end weeks of pro-democracy demonstrations by students and workers. Public discussion of what happened is taboo in China, though it is freely talked about in Taiwan.
China says it “long ago” reached a clear conclusion about the events of 1989, and China’s Taiwan Affairs Office did not immediately respond to a request for comment.
Panai has campaigned for years for the rights of Taiwan’s indigenous people.
“Democracy is a lengthy and not an easy journey, we are pressured as we don’t know if we will be bullied by a ‘bigger’ power,” she told reporters backstage after her win.
“The reason why I mentioned that event on stage is because Taiwan’s democracy is a process that all of us need to cherish; our freedom and freedom of speech is what we need to protect.”
No Chinese singers attended this year’s awards, despite several high profile nominations, including Xu Jun winning for best composer.
Another Chinese singer, Jude Chiu, did arrive in Taiwan but returned to the country before the awards for health reasons, Taiwan’s official Central News Agency reported.
While Taiwan has only 23 million people, its pop music scene has an outsized cultural influence across East Asia, especially in China, in part due to creativity unencumbered by censorship.
The awards celebrate not only Mandopop but artists singing in Taiwanese – also known as Hokkien – Hakka and indigenous languages like Bunun, a visible sign of the Taiwan government’s efforts to promote once suppressed tongues.
(Reporting by Angie Teo and Fabian Hamacher; Writing by Ben Blanchard; editing by Clelia Oziel)
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